The “world’s smallest Ultra HD live studio camera”, the Blackmagic Micro Studio Camera 4K, has been launched by Blackmagic Design. The tiny Ultra
HD and HD camera will be available in July for $1,295/£929/€1,545.
Although it will work at no more than 30 frames per second
in Ultra HD, which would make it rather poor at capturing sports action (which
is where Ultra HD will inevitably make its initial impact for live production),
it would be useful for studio programmes, such as chat shows, and its
combination of size, facilities and price will make it a great buy for HD
production, particularly as its UHD capability should give it a longer life.
Its features include: a built in colour corrector; talkback;
tally indicator; PTZ (pan, tilt, zoom) control output; B4 lens control output;
and a flexible MFT lens mount that can be easily converted to other lens mounts
via third party adapters.
When used for HD, the extra resolution on the sensor eliminates
any colour loss from the sensor’s Bayer pattern, to give full bandwidth RGB HD colour
and superior sub pixel anti-aliasing for fine detailed HD images that Blackmagic
claims will “look better than most of the bigger, more expensive cameras used
in studios today.”
Its small size and open design make it ideal for live multi
camera production of reality TV shows, news magazines or concerts, as it can be
hidden almost anywhere on set.
It has a magnesium alloy core in a body that’s not much
larger than the lens mount itself, and is compatible with affordable, high
performance MFT lenses, or buyers can add a B4-mount adapter to work with
traditional broadcast lenses. The camera also has 6G-SDI output and a programme
return input that allows it to be controlled remotely from a switcher using
Blackmagic’s SDI control protocol. This lets users change camera settings, colour
balance, black levels, gamma, lens focus, iris, zoom and more from any ATEM
switcher.
There’s also a flexible, new expansion port that equips the
Blackmagic Micro Studio Camera 4K for remote use. This supports multiple
control connections, such as a PTZ serial output connection that can be used
with motorized heads and a B4 data link output for controlling broadcast
lenses. Users can even build their own camera control systems using the S.Bus
input (as used on the new Blackmagic Micro Cinema Camera). The expansion port
uses a common DB-HD15 connector so users can make their own cables or use the
breakout cable that’s included. The expansion port also includes DC camera
power in, LANC and reference input.
Specifications
- Frame rates: 2160p23.98, 24, 25, 29.97, 30 in Ultra HD or 1080p23.98, 24, 25, 29.97, 30, 50, 59.97, 60 or 1080i50, 59.94 in HD
- Supports SDI camera control protocol allowing full remote control via single SDI connection
- Has 6G-SDI input and output ports
- HDMI output
- Has buttons on front of camera for quick access to menu navigation and settings
- Has 12v DC power input or users can add a Canon LP-E6 compatible battery for backup power
- Two way digital quality talkback connector using iPhone compatible headsets
- Integrated stereo microphone, plus 3.5mm audio input
By David Fox
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