April 10, 2014

For-A focuses on 4K future


An updated FT-One high-speed 4K camera, a new extraction system to take HD windows from 4K images, and a 4K virtual studio system, are just some of the things that For-A has introduced this week at NAB, where it now boasts products for every stage of the 4K workflow — from capturing, processing, switching, and viewing, to recording.

April 09, 2014

Canon launches XF200 + XF205

Canon has filled the gap between the XF100/XF105 and XF300/XF305 with two new compact video cameras, the XF200 and XF205. The single-sensor cameras are designed for people shooting for multiple outlets, including the web, and come with WiFi and LAN connections - for the full story see Christina’s report on the Canon XF Notebook blog.



AJA Cion 4K/UHD camera

Yet another non-camera maker has entered the camera market: AJA Video Systems has announced a very nice looking 4K camera that doesn’t cost much more than the Blackmagic Ursa, but has some nice features.

The AJA Cion has a Super 35mm-sized sensor, with global shutter and 12-stops of dynamic range, and records using various Apple ProRes codecs, including 12-bit 444. It builds on AJA’s excellent reputation for external recorders, such as the Ki Pro, Ki Pro Mini and, most recently, the 4K Ki Pro Quad, so it had already built the back-end of the camcorder.

Panasonic HX-A500 4K action cam


The world’s first 4K 25p/30p wearable camcorder has been launched by Panasonic, as part of a growing Ultra HD ecosystem that encompasses home cinema, professional monitors, a new prosumer 4K DSLR (the GH4), and its 4K VariCam 35broadcast camera launched at NAB.

The new, lightweight HX-A500 UHD action cam can also record HD at 50p, and is waterproof (to 3m for 30 minutes) and dustproof.

April 08, 2014

Tiny Blackmagic Studio Camera

Blackmagic Design must terrify the big broadcast camera manufacturers. Although its first cameras had their limitations, they were very good value. However, its third-generation cameras launched this week at NAB, look like proper broadcast and digital cinema cameras - but at budget prices.

The new Blackmagic Studio Camera, in particular, goes to the heart of the broadcast business for Sony, Grass Valley, Panasonic, Ikegami, JVC and Hitachi, and overtakes them all. At just $1,995/£1,250/€1,500 for the HD model (which is available now), and only $2,995/£1,800/€2,200 for an Ultra HD (4K) version (shipping in June), they are incredible value for anyone putting together a TV studio.

Blackmagic Ursa upgradable camera

Blackmagic Design has announced a new high-end digital film camera with a user-upgradable sensor and lens mount, larger-than-normal 10-inch fold-out monitor, and a multi-screen design that should make it simpler to use. Its feature set and upgradability cover many of the most common requests on user’s wish lists.


The Super 35-sized Ultra HD (3840 x 2160) image sensor has a global shutter (so no more CMOS sensor rolling shutter effects) and will be replaceable, along with the lens mount, which can be EF or PL, or even, with a broadcast video sensor, a B4 mount.

April 07, 2014

Atomos Shogun 4K recorder launched


Atomos has announced a new 4K AppleProRes and RAW capable recorder, the Shogun, which uses new 12G-SDI and 4K HDMI connections.

The Shogun is the first 12G-SDI and 4K HDMI I/O monitor recorder, and features a 1920x1200 SuperAtom IPS 7-inch touchscreen (with 325 pixels per inch), 179ยบ viewing angle and 400nit brightness. The monitor can also automatically switch frequency (48/50/60Hz) depending on video input, to give smoother monitoring and playback. [UPDATE: It also won an award from the IABM at NAB as one of five Game Changers - see end for details].

Panasonic VariCam 4K + high speed


Panasonic has launched two new VariCam models: the VariCam 35 (shooting 4K Raw) and the high-speed (HD) VariCam HS.

The PL-mount VariCam 35 (AU-V35C1) uses a newly-developed super 35mm MOS image sensor (4096x2160 - 17:9) and can shoot 4K, UHD, 2K and HD, making it suitable for high-end filmmaking, commercials and episodic production as well as live 4K events.

Tiny Atomos Ninja Star recorder


Atomos has announced a new $295 action camera-sized Apple ProRes Compact Flash recorder, the Ninja Star, at NAB that should be ideal for use on remote-control helicopters or with point-of-view cameras.

“Our customers screamed for a tiny, flash-based Apple ProRes recorder and player for extreme applications, their second location cameras or simply when they already had a monitor,” explained Jeromy Young, CEO and Founder of Atomos. “At $295 with low-cost Gen 1 CFast [solid state memory cards], weighing a mere 100 grams (3.5oz), its price, durability and portability is unmatched – this is one of our best creations yet.”

March 12, 2014

Sony + Panasonic create Archival Disc

A new Archival Disc standard for professional, next-generation optical discs aimed at long-term digital data storage has been agreed by Sony and Panasonic. The discs, which will each store up to 1TB, could be an answer to the storage needs of anyone wanting to archive HD, Ultra HD or other high-resolution formats.

Optical discs already offer dust and water resistance, and can withstand changes in temperature and humidity when stored. They also allow inter-generational compatibility between different formats, ensuring that data can continue to be read as formats evolve. This, the companies say, makes them a suitably robust medium for long-term storage of content.

September 14, 2013

Arri Amira documentary camera


Arri has revealed its first documentary-style shoulder-mount digital camera: the Amira, which takes the sensor and many features of its Alexa, and adds such things as in-camera colour grading and 200 frames per second shooting.


“Everyone wants the Alexa image quality, but said make the camera smaller, lighter and more affordable,” said Stephan Shenk, Arri’s general manager, camera division. “But not too small or too light, as documentary shooting often involves large lenses that need to be balanced.”


September 12, 2013

IBC 2013

Yes, It's September - it must be IBC.



There should be some new and interesting bits of kit at the exhibition.


April 09, 2013

Atomos Samurai Blade looks sharp

Atomos announced its latest field recorder, the Samurai Blade, at NAB, which it promises will answer demand for a recorder that is also a fully fledged on-camera monitor.

It competes with the larger Convergent Design Odyssey7 monitor-cum-recorder on base price ($1,295), but unlike the Odyssey the Blade includes recording capability from the start, and will be the less expensive option if you don’t need the raw and higher-speed recording capabilities and extra screen size of the Odyssey.

April 08, 2013

Blackmagic Pocket Cinema Camera


Blackmagic Design keeps on keeps on disrupting the market with broadcast equipment at lower prices than the competition, and has done it again with two new cameras: The £665/$995 Blackmagic Pocket Cinema Camera and the £2,675/$3,995 4K Production Camera.

Both offer high quality lossless 12-bit CinemaDNG RAW and Apple ProRes recording, and lots of interesting features that should keep prospective buyers salivating until they ship in July.

Sony PMW-400 XAVC camcorder

Sony gave its XAVC codec another boost at NAB in Las Vegas with the introduction of a new broadcast camcorder that supports it. It also extended XAVC downwards for prosumer and consumer users. In other news, Sony also introduced a new studio/OB camera.

The new PMW-400 shoulder-mount camcorder (pictured above) is an “affordable” broadcast camera with three 2/3-inch high quality Exmor CMOS sensors – boasting good low-light sensitivity of F12 at 59.94Hz and F13 at 50Hz.