Matrox Mojito MAX is claimed to be a first professional I/O card with an onboard H.264 encoding accelerator. The new PCIe card includes SDI, HDMI and analogue HD/SD video and professional audio connections.
Alongside the release, Matrox has announced support for the new Avid Media Composer 6, on this card and the rest of its MXO2 devices.
The Mojito MAX offers broadcast-quality input and output for other post-production applications, such as Adobe Creative Suite 5.5 Production Premium, Apple Final Cut Studio and FCP X, and will let users deliver H.264 files for the web, mobile devices and Blu-ray up to five times faster than software alone.
Other features included in this 3/4-length PCIe card include 10-bit hardware scaling (for up-, down- and cross-conversion, including frame rate conversion) and inexpensive HD monitoring with the Matrox HDMI Calibration Utility.
The accelerator can cope with resolutions from 64x64 to 1920x1080, at bit rates from 100Kbps to 50Mbps, at various frame rates, with a choice of constant bit rate, constant quality or variable bit rate, built-in noise filtering, de-interlacing, and scene detection.
“The time-saving benefits of our unique MAX H.264 accelerator have been long appreciated by users of our portable MXO2 I/O devices, but many customers have been asking for an economical card for Mac Pro and PC workstations that can do the same job,” said Alberto Cieri, senior director of sales and marketing at Matrox.
“Mojito MAX nicely addresses the need for a single-slot card with SDI, HDMI, and analogue I/O plus H.264 encoding speed and quality — all at a breakthrough price point" – which is $995, £749 or €799, including the card plus a complete video/audio I/O breakout cable and an HDMI cable.
“Matrox MXO2 MAX I/O devices are unique on the market in giving Avid editors lightning-fast H.264 encoding directly from Media Composer 6,” said Cieri. “They are also still the only solutions that connect anywhere, Mac and PC, via Thunderbolt, PCIe, or ExpressCard/34 — with the same versatile unit.”
By David Fox