Blackmagic Design’s new Ursa Mini is a much more compact and
lighter weight version of its large Ursa Super 35 digital film camera, and
should appeal to a wider range of users, with prices starting at $2,995/£2,149/€3,519
for the 4K EF-mount model. It can also come with a 4.6K image sensor, with either
EF or PL lens mounts, switchable global or rolling shutter, up to 15 stops of
dynamic range, a 5-inch fold out viewfinder and dual Raw and Apple ProRes
recorders.
Showing posts with label 12G-SDI. Show all posts
Showing posts with label 12G-SDI. Show all posts
April 14, 2015
April 08, 2014
Tiny Blackmagic Studio Camera
Blackmagic Design must terrify the big broadcast camera
manufacturers. Although its first cameras had their limitations, they were very
good value. However, its third-generation cameras launched this week at NAB, look
like proper broadcast and digital cinema cameras - but at budget prices.
The new Blackmagic Studio Camera, in particular, goes to the
heart of the broadcast business for Sony, Grass Valley, Panasonic, Ikegami, JVC
and Hitachi, and overtakes them all. At just $1,995/£1,250/€1,500 for the HD model (which is available
now), and only $2,995/£1,800/€2,200 for an Ultra HD (4K) version (shipping in June), they are
incredible value for anyone putting together a TV studio.
Blackmagic Ursa upgradable camera
Blackmagic Design has announced a new high-end digital film
camera with a user-upgradable sensor and lens mount, larger-than-normal 10-inch
fold-out monitor, and a multi-screen design that should make it simpler to use.
Its feature set and upgradability cover many of the most common requests on
user’s wish lists.
April 07, 2014
Atomos Shogun 4K recorder launched
Atomos has announced a new 4K AppleProRes and RAW capable
recorder, the Shogun, which uses new 12G-SDI and 4K HDMI connections.
The Shogun is the first 12G-SDI and 4K HDMI I/O monitor
recorder, and features a 1920x1200 SuperAtom IPS 7-inch touchscreen
(with 325 pixels per inch), 179ยบ viewing angle and 400nit brightness. The
monitor can also automatically switch frequency (48/50/60Hz) depending on video
input, to give smoother monitoring and playback. [UPDATE: It also won an award from the IABM at NAB as one of five Game Changers - see end for details].
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